Some of my favorite art is temporary and outdoors. Such is the art of Andres Amador. Here he is at work by the seaside. Besides nature, the artist’s only tool here, is a leaf rake. His media is the beach/sand. Watch as he creates a mandala at Ocean Beach in this less than three minute long vimeo:
While working on her paintings in the old Djerassi barn a month ago, artist Nicole Buffett created these colored balls and placed them in shafts of dappled sunlight on the floor. The spheres are made of packed earth, grass, gravel and pigment and are meant to “embody the serenity and power” that Buffet felt while working in the barn. She calls this piece, The Guardians, meant as it was, to guard her paintings as they sat outside overnight.
Artist: Nicole Buffett (Bay Area artist)
Title: The Guardians (created May 2013)
Location: Inside the Old Barn (at Djerassi/SMIP Ranch, Santa Cruz Mountains)
Description: This piece reveals how quickly light moves. It becomes a meditative practice as one tries to follow the light beams, constantly moving the spheres to keep up with the squares of light.
This is a temporary piece. The spheres are fragile and may leave pigment on fingers when it’s wet out. Visitors may pick them up and gently move them into shafts of light, or place them back into the urn at the far end of the room.
Should you happen to visit the old barn during the long summer months, you will be treated to a visual delight of busy sunbeams dancing across the floor and along the walls. With the installation of The Guardian, you can have the additional experience of watching the sunlight move across the floor, heightening the colors of the individual balls.
If you stop by on a foggy day – as a group of visitors did recently – your experience will be different, less heightened: The colors of the spheres are totally dependent on the natural lighting derived from the sun. That is the nature of the piece. It is transitory and is defined by an uncontrolled light source that helps to determine how the viewer experiences the work. This installation, like the rest of Djerassi’s outdoor art, will eventually disintegrate. Catch it if you can.
I’ve written about Djerassi and its transitory art collection in previous articles. Here is one of those posts. The springtime photographs of the sun drenched landscape (plus one taken from inside the old barn), should give you an idea of the feel and intensity of the Bay Area sunlight. There is no need for artificial lighting in the barn, at least not during the day.