
There’s a new Andy Goldsworthy piece at The Presidio (San Francisco). Here is the artist in a six-minute video, describing the process of excavating the work from a rammed earth wall: “Earth Wall”.
There’s a new Andy Goldsworthy piece at The Presidio (San Francisco). Here is the artist in a six-minute video, describing the process of excavating the work from a rammed earth wall: “Earth Wall”.
Photographs and a short video of After the Celestial Axe (see my April 2013 article, “New Sculpture at Djerassi“), are now available at the artist’s site, drue.net. My own personal encounter with the sculpture won’t be until the end of summer, when I lead an outdoor art hike at Djerassi.
After the Celestial Axe is beautiful and changes constantly, as is to be expected of mirrors placed outdoors. They capture the changing landscape, from moving clouds and shaking tree limbs to light and dark. The nature lover in me is concerned about the potential hazard to wildlife, particularly birds. You can hear them chirping in the video. I cannot imagine what the blinding light does to them when the sun hits the piece. (There are 27 parts to this sculpture!) And how do the other animals fare with this glare? There are deer and bobcat, for example, in this area. What is the effect on them?
Where: Woodside, CA (in the Santa Cruz Mountains, “near” the towns of Sky Londa and La Honda)
Note: Djerassi is also known as Djerassi SMIP Ranch.
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Updated: 5/4/13 — Above is a part of the sculpture, “After the Celestial Axe”. This is my favorite section. It looks like a woman and man in embrace and possibly a child, a baby, is in her arms. I see what I see and this may not be what anyone else sees and may not be what the artist herself sees. I will post more photos of this piece later this month.
As of April 2013, there is a new sculpture at Djerassi. It is by artist, Drue Kataoka whose inspiration for the piece is the fallen oak tree pictured below. The artist has incorporated the sculpture into the tree and the tree into the sculpture. She calls this work “After the Celestial Axe,” and describes it as follows:
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