This is one of my hand-made transfer prints. It is part of a Brooklyn rooftop graffiti scene. The boy in the painting was appropriated by the artist, Chris Stain, from the photographer, Martha Cooper. Now I have appropriated it from Chris. Here I give the piece an old world, weathered charm, by transferring it onto a fine gold basecoat. For the final touch I scoured it gently with fine steel wool: I didn’t want the gold to take over from the drawings and other elements of the work.
If you are starting out in printmaking, you will find it is equally rewarding as well as frustrating. Working on intaglios, getting the lines right, distributing the ink in the right amount and in the right place may be all well and good, until you find you’ve used the wrong paper! Then you have to start all over again because the paper just refused to cooperate and help you create your masterpiece! But you learn from your mistakes. Printing is as much about the process as it is about the print. I’ve wasted many sheets of $28-$30 print paper trying to get a print right. I am still learning what works and what doesn’t. In all of this, the artist’s eye is most important. Watch Kiki Smith prove this point in the short video below.