Video by Sara Grew, taken at Djerassi, up in the Santa Cruz Mountains of California. It’s a very short video. Be sure to put your sound on.
The drawing here (a one line drawing) is actually of a grey fox. Why is it accompanying a video of a coyote? Because I thought the fox was a coyote, until a wise guy pointed out that grey foxes have fluffy tails and look nothing like coyotes. Pfft! Who knew?!
On a recent city hike, I came across several stickers in the North Beach area of San Francisco. These stickers had the photograph (logo?) of a single mule. There was no explanation of what these stickers represented (Mule Gallery, perhaps?). Intrigued, I went home and did a Google search for “mule logo San Francisco.” I came across an Atlantic Magazine article about a man wandering around California with three mules. The man has an Internet presence too. He recently had a date in court because a ranger gave him a citation for stopping to rest overnight on public land/open space, with his three mules. I like this guy! Read more about him here: 3mules.com
Something about the scenes in this video reminds me of the waterfront area by King Street and Harbour Street in Kingston, Jamaica, before the crowd arrives. This Vimeo is a little under 2-minutes long: Good Morning, Venice Beach.
My favorite in this group of stamps is “Mouth Lock.” It’s crisp lines and selective use of color, black and white with a slash of red, make for a very classic look.
If you missed the first eight stamps, you can see them here.
Part I of II
A good way to get to know a neighborhood is to attend the San Francisco Arts Commission’s annual Passport event. This year’s art walk took place in San Francisco’s Japantown. Here are the first 8 of 16 passport stamps collected from various artists.
Stay tuned for Part II, where I’ll post the remaining 8 stamps from Passport 2015.
If you haven’t been to the Lick, here’s something you should know — To get there you will have an 18-19 mile, predominantly uphill climb along a winding road. The vistas are breathtaking, but there are many, many sheer cliff drop offs, so it’s best to keep your eyes on the road. And too, bicyclists love this road; they come tearing around corners at breakneck speed, sometimes, half way in your lane. Yes, you’d better keep your eyes on the road and keep a look out for them too.
BICYCLIST DOWN
I’ve cycled my share of mountains but this road (California 130) is madness for a bicyclist. Yesterday, I was barely 4 miles up (about 2 miles before Grant Park) when I found a cyclist down. It looks like he took quite a tumble descending the mountain. The poor guy was in need of medical attention though I don’t even know where a helicopter could land near where he happened to be. His fellow bikers were helping him and wrapping him up to keep him insulated. A good samaritan ahead of me was directing traffic around the spot. I sure hope he is okay.
SEEING ART EVERYWHERE
The building to the left in this photograph looks like it has eyes and a mouth. (This is a side view of the main building where the 36 inch refractor is.)
There were some really nice 18th century door hinges in a display case but I couldn’t get any good photographs of them. Oooooh they’d make lovely rubbings for an art piece.
This tube-like glass gadget is/was used in photography. This sample is from around the the 1930s. The Lick Observatory itself, was built in the 1880s. This tube will probably show up in my art. You never know where your inspiration might come from!
Below is a slideshow of Lick Observatory postcards:
Bodies of water. Pacific Ocean. San Francisco Bay. The Embarcadero, The Presidio. Alcatraz Island. Golden Gate Bridge. Marin Headlands. Bay Bridge. Oakland. And a ferry ride.
They’re all here!
One of my all time favorite nature site is the Dipper Ranch blog. There is a lovely series of articles there about red-bellied newts. The latest post is about another of my other favorite things, birds. Check it out.
There’s a new Andy Goldsworthy piece at The Presidio (San Francisco). Here is the artist in a six-minute video, describing the process of excavating the work from a rammed earth wall: “Earth Wall”.
I arrived at high tide, positioned myself next to one of the listening tubes and waited for it to deliver the sounds of the waves from below. Nothing. I tried another tube, again, nothing. This acoustic sculpture just didn’t work for me! Still, I found inspiration here (bodies of water work wonders for my creative process!) and did a couple of quick sketches in pen. Two of them are included here.
For more on The Wave Organ, see, Acoustic Sculpture by the San Francisco Bay.
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